30 Days Blogging Challenge: Day 19 – My favourite movie

30 Days Blogging Challenge

If there is one medium of communication I love the most after books, it has to be movies. The silver screen brings to life your dreams, fuels your imagination, makes you face the reality and most of the times, takes you to a joyride in a mythical world.

The variety of movies is so vast that it is very difficult to pick a favourite few. When you watch a movie, you enter a relationship with it. Some relationships strengthen into deep bonds, leave imprints in your memories, while some simply flush down the drains.

There are movies which you can watch any number of times without feeling bored. Every time you watch these movies, you discover something good about them. I will write about such movies here:

My favourite movies of 2014:

 Jaatishwar –A magical melody of memories, Jaatishwar narrates a tale of reincarnation in a style unmatched by any other film. The music of the film is its soul. Winner of 4 National Awards, this film by Srijit Mukherjee is hardly worth a miss.

Apur Panchali – If you wish to experience poetry on celluloid, this is your film. A fitting tribute to Ray’s Pather Panchali, the visual masterpiece will make you go numb in your senses even after the end credits have stopped rolling.

Ramdhanu: The film points the mirror to the society on what is wrong at the very basic level – nursery school admissions – without being preachy. The bond between a mother and child, the love for one’s culture and the relationship between a husband and wife, who are parents now, have been beautifully depicted in this drama.

My favourite all-time movies:

Goopy Gyne Bagha Byne: When it comes to satire, Satyajit Ray’s craft is unmatched. Adapting a child fantasy novel into a film with so many layers, Ray set a benchmark for filmmaking with GGBB. The sequel Heerak Rajar Deshe is still used as a reference for the political commentary on India even now. From the classic Bhooter Naach to the childlike innocence of Santosh Dutta as he ran around screaming ‘Chhuti’, GGBB will easily evoke the child in you.

Charulata: If there was ever a benchmark set for a flawless cinema, Charulata would definitely be it. From the opening scenes bringing Tagore’s one-and-a-half-pages of description of Charu’s loneliness to life within 2 minutes, to the iconic swing scene – the film says it all, and how! Complexities of relationships are so sublimely depicted on-screen that you don’t, for even a second, feel buoyed down by the burden of intellectual proclivity by Ray.

P.S. – I mention only Bengali movies because I believe in promoting the best of Bengal.

About Agnivo Niyogi

Typical Aantel, reader, blogger, news addict, opinionated. Digital media enthusiast. Didi fanboi. Joy Bangla!

Posted on August 27, 2014, in film, Personal Musings and tagged , , , , , , , , , . Bookmark the permalink. 1 Comment.

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