“The ardour of Deepavali has been dampened in the whole state by the events in Nandigram. Several villages in Nandigram are oscillating from the deepest gloom to panic. Even as of 4pm this day, I have received phone calls from responsible persons in Nandigram saying that several huts are ablaze.
Large numbers of villagers have taken refuge in the local high school in Nandigram, bereft of food and personal security. At the time of writing, the most accurate description for Nandigram is the one used by our Home Secretary, namely, it has become a “war zone”. No government or society can allow a war zone to exist without immediate and effective action.”
These ominous words by then Governor of West Bengal, Gopal Krishna Gandhi, on November 9, 2007 are an indication of the large-scale horror and violence unleashed by the Communist Party of India (Marxist) in Nandigram. Ten years later, the Governor’s words still ring in our ears, reminding of the anarchist, dictatorial regime that once ruled Bengal.
The historic protest march in Kolkata on November 14, 2007
Nandigram had been on the boil since January, 2007, when the Buddhadeb Bhattacharjee led government decided to set up a chemical hub in Nandigram and wanted to forcibly acquire land there. The same party, which was against SEZ elsewhere in India, was vocally supporting an SEZ for a private Indonesian company. Farmers reused to part with their land and the Party unleashed its harmad goons.
Things escalated when police opened fire on protesting farmers on March 14, 2007, killing 14 (official figures; villagers allege hundreds were killed and thrown into a nearby river). Villagers started fleeing their homes and for months, Nandigram became a ‘muktanchal’ (free zone) for CPI(M) cadres. By the end of October, 2007 when the villagers started returning home, the harmads launched a ‘recapture’ spree that led to unprecedented violence.
“Nandigram has become a slaughter house with blood being shed every day. CPM might be at the helm of affairs but the state still belongs to us,” said National Award winning director Aparna Sen, who along with the likes of Rituparno Ghosh, Bratya Basu, Kaushik Sen, Bibhas Chakraborty and other intellectuals boycotted the ongoing Kolkata Film Festival.
There was a outpouring of public anger, which led to a ‘maha michil’ on November 14 in the heart of Kolkata, decrying the barbaric violence by CPI(M) in Nandigram.
The 34 years of Leftist rule in Bengal is marred by unbridled violence. From Marichjhanpi to Memari, Sainbari to Singur, Nandigram to Netai, Nanoor to Keshpur – the comrades left no stone unturned to ensure there is no political opposition to them. Thousands of people have been slaughtered to keep communism alive in Bengal.
They say a nation cannot progress unless you take lessons from history. As Bengal stares at new political formulations in coming days, it is all the more essential to remember the bloodied past and the cost at which ‘Poriborton’ came in 2011.
After a sensational directorial debut ‘Open Tee Bioscope’ Anindya Chatterjee returns with yet another nostalgic ride in his second film ‘Projapoti Biskut’. While his first film was based in north Kolkata, and revolved around the bonds of friendship, this film dwells on the ties of marriage.
The film begins with a group of men placing an idol of ‘Kartik Thakur’ outside their friend Antar’s house. This silly prank brings with it turmoil in Antar and his wife Shaon’s life; placing Kartik Thakur’s idol in front of someone’s house is akin to asking them to make a baby. Antar-Shaon are trying to conceive but have been unsuccessful so far.
The baby here is metaphorical. Although Shaon and Antar are married for three years, they are far from becoming partners. Antar’s family, a conservative bonedi family in Bhowanipore, which swears by K-A-A-L-C-H-A-A-R, had made a prisoner out of Shaon. She had to give up everything she loves – watching serials, wearing jeans, or keeping short hair. She even had to change her name from Sraboni to Shaon because the former was not too sophisticated.
In this backdrop, the married couple’s trials and tribulations to conceive have far-reaching consequences. Without giving out spoilers, I could only say that like the ‘Projapoti Biskut’ of yesteryears, this film brings with it a wave of freshness and simplicity, which we miss in this fast-paced world. The simplistic breakdown of the complexities of life by the director is a lesson for all.
Like ‘Open Tee Bioscope’ the music of ‘Projapoti Biskut’ is one of the major pillars of the narrative. Although the film slacks in the second half, this coming-of-age tale about keeping love alive after marriage is a must-see for all. Anindya Chatterjee deserves huge pat on the back for gifting us two great actors.
Projapoti in Bengali stands for marriage, and ‘biskut’ adds the crispness to the ties of marriage. This sweet film will surely make Pujo special for Bengalis.
My Rating: 3/5 stars
P.S. I am taking My Alexa Rank to the next level with #MyFriendAlexa with BlogChatter. This is Post #6
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