Satyajit Ray inspired a generation of filmmakers that included the likes of Rituparno. Now, a generation of filmmakers following Ritu Da. In the end, Bangla cinema excels. Jodi Love Dile Na Prane will remind you of Ritu Da’s filmmaking style, and why not? With full regards to Sudeshna Roy and Abhijeet Guha, they have been close associates of Rituparno Ghosh from the very beginning, and am sure they look up to him for the craft of cinema.
Undoubtedly their most mature work till date, JLDP tells the story of Anish and Paromita – two lovers who are separated by fate – and Mainak, the little kid who acted as the bridge between them. Based on Sukanta Gagopadhyay’s novel Abujh Meye, the narrative plays with the nuances of a relationship gracefully, subtly and at times with an enamoured vigour. From the use of colours, to the complementary background score, every detail makes the frames come to life. With crisp dialogues and a taut screenplay, he film excels technically.
Tridha is a revelation in the film. Arjun’s chemistry with her is palpable on screen. Ananya justifies the role of a moody, emotional, impulsive woman to the T. Even Abir is his usual self in the role. Neel steals the show with his one liners.
In a nutshell, relationships never have an end. Whenever we insert a full-stop in a relationship, fate inserts a comma. Times rolls on, life moves on. The words left unsaid fill in the blanks, pieces of a zigsaw fit in. Life keeps moving on. The truth of life in inescapable.
Watch Jodi Love Dile Na Prane and rejuvenate those vows of love that may have gone into hibernation in your heart. Even “Rahul Bose’s dancer wife” will surely love this film.
Rating: 3.5/5 stars
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It is compulsory for every Bengali kid to grow up reading (and fall in love with) Feluda’s adventure stories. Satyajit Ray with his magic of words had gifted us Bengali literature’s best private investigator. To further titillate the imaginations of the masses, he made two cinematic adaptations of Feluda’s adventures – Sonar Kella and Joy Baba Felunath will remain etched in our memories forever.
With such a legacy on his shoulders, it was obviously difficult for Sandip Ray to deliver and win hearts. But he did, Bomabyer Bombaytey was immensely popular with the people. Following that, he lost the plot. A series of disappointments starting with Koilashe Kelenkari till Gorosthane Sabdhan, made us wonder if at all he has the caliber to adapt Feluda on screen. Thankfully, Royal Bengal Rahasya lives up to the expectations.
Not only is the script faithful to the original novel, it is also more thrilling, crisp, boisterous and engaging. Feluda’s real weapon – his magajastra or the mind – is put to use to full glory. One does feel part of the journey of solving the riddle, the focus of the plot:
Muro hoye buro gach,
Hath gon bhat panch,
Dik pao thik thik jobabe.
Falgun tal tor,
Dui majhe bhuifor,
Sandhane dhondaye nababe…..
On the acting front, Bibhu Bhattacharya surely deserves praise. He had the most daunting task of matching up to the standards set by Santosh Dutta’s personification of Jatayu in Satyajit Ray’s Feluda flicks. Bibhuda makes Jatayu his own, and gifts the audience his best till date (did he have any premonition that this could well be his last performance?).
Sabyasachi Chakraborty is always a pleasure to watch. His mannerisms, facial expressions, the thoughtful eyes mesmerise you. No one can play Feluda with such precision as he does. Although his age and lack of physical attributes (like Feluda) does haunt one in some scenes.
The photography was spellbinding. The forests of Orissa and North Bengal have been showcased on the silver screen in their natural beauty. The background score definitely added to the pulsating effect. Special effects and animation were not amateurish unlike Kailashe Kelenkari. Really loved the modification made in the climax, showing how concerned about present realities the director is.
Royal Bengal Rahasya is my favourite Feluda novel. It made me jittery when i first heard the news that Sandip Ray had selected this adventure for screen. But not only did “Babu-Da” make my Christmas gay, but added colours of joy to it. The two hours inside the theater were spent in reliving memories of childhood, enjoying the shadows of my imagination take shape on screen. RBR is a definite watch for Feluda fans, Sandip ray lives upto his father for once.
My Rating – 3/5
P.S. – Missed Bham while watching the movie. Watching Feluda is fun when you have a company with whom your wavelength matches 🙂 I remember having waited 5 minutes on a hanging bridge at Loleygaon, for Bham, just to tell him that place was suitable for the climax of RBR!!! Tee Hee…….