Movie Review: Begum Jaan by Srijit Mukherjee


I had rated Rajkahini on my blog 4/5 stars – the film had moved me, left me in tears as the end credits rolled. So, when I walked into the theatre today to watch Begum Jaan, there was trepidation in my heart. It was almost like I’d be tested as an audience to what extent I can separate the Rajkahini experience from Begum Jaan. Might I say, Srijit Mukherjee made it very easy because the first sequence itself was starkly different from the theatrical adaptation of Manto’s work that Rajkahini began with. I was at ease and for the next 130 odd minutes became a part of the kotha on Indo-Pak border that fought independence for freedom.

While Rajkahini was set in Bengal, Begum Jaan is based in Punjab. Abanindranath Thakur’s Rajkahini played a significant role in the film, specially in the end; here Ila Arun’s character tells stories of feisty daughters of India (which were cleverly depicted by Vidya in the film). While the basic premise of the film remained the same as Rajkahini, there were many changes to the script – some good, some bad. The Connaught Place sequence was a fitting addition to the film. The additional scene between Gulabo-Rubina was emotive. Several characters have been given a closure in the end, another creative input.

Vidya Balan – my favourite actress for the last decade and a half – was originally approached for Rajkahini. I always wondered how different the film would’ve been with her (Rituparna Sengupta gave her career best performance as Begum Jaan, so no comparisons). She steals the show with her bold, gritted, fiery portrayal of the brothel owner who would go to any extent to save her vatan, her kotha.

Rubina (wonderfully portrayed by Joya Ehsan) was my favourite character from Rajkahini who had the most beautiful scene ever written in Bengali cinema in recent times. Gauhar Khan has done justice to the part. Also, the great Naseeruddin Shah gave gravity to a role which was oft not remembered from Rajkahini.

I wish I could say the same for the rest of the supporting cast. The sense of loss and vengeance was missing from Ilias and Srivastava. Even some scenes where half their faces were shown did not aesthetically look as good as they did with Saswata-Kaushik. Their chemistry was somehow lacking. Gulabo was expressionless when confronted with the ultimate betrayal. Chunkey Pandey as Kabir was menacing enough but did not evoke the same horror and hate as Jishu Sengupta did in Rajkahini.

I felt the narrative moved a bit fast, so we could not connect to these characters in totality. The Holi song was completely out of place and the background score did not do justice to several great scenes – like the manhunt in the butchers’ market. However, the climax choked me as usual. ‘Woh subah hum hee se ayegi’ was a great substitute for ‘Bharat Bhagyo Bidhata’ and the visuals would simply stupefy you into a state of forbearance.

And above all, the last visual you take home with you as you walk out after Begum Jaan – that look on Vidya’s face when she closes the door of the kotha, that look of victory but the sense of loss, juxtaposed with the fluttering of the tricolour, will even make a heart of stone let the tears flow.

I had always wondered how would a sequel of Rajkahini be with Buchki (Laadli) in the lead. Begum Jaan has given us a glimpse of it. Begum Jaan and Rajkahini are two different films, for two different audiences. Comparisons would not be fair. Both shine in their own right.

My Rating: 3.5/5 stars

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Book Review: Inside Chanakya’s Mind by Radhakrishnan Pillai

Chanakya is undoubtedly one of the most venerated thinkers, philosopher and political strategists from ancient India. His shrewd political maneuvering, war tactics and vast knowledge of governance has been recorded in history in golden letters. Undoubtedly, it would be of immense interest for an enthusiast of history to get a glimpse into how the mind of this great man worked.

Chanakya is best known for ‘Arthashastra’ or his book of Economics. Although, there were many Arthashastra before Chanakya wrote his own, his book is now being considered an expert document on politics, economics, warfare, and a text that relates to governance, leadership and strategy. It is also a book on law, foreign policy, international relations and how to rule a kingdom.

In this book by Radhakrishnan Pillai, we are taught how the philosophy underlined in Arthashastra can make us better thinkers, thus bettering our skills for problem-solving and management. It is aimed at the masses; thus the language of the book is simple and laden with examples and anecdotes. It is almost like reading a text book prescribed for a course in critical thinking.

The author introduces us to the concept of ‘Aanvikshiki’ – the science of strategic thinking. The first and opening chapter of Kautilya’s Arthashastra talks about Aanvikshiki and its importance. This would certainly open a new horizon in philosophy for readers.

Thinking is an essential part of our daily lives. From school assignments to office projects, we are often asked to think hard. But nobody has ever told us how to think. Weird, isn’t it? Thorugh ‘Aanvikshiki’ Pillai tries to do just that. The author has categorised the art of thinking into six divisions and taken us through each one of them in great details with examples and quotes from Chanakya’s Arthashastra.

To sum up, Chanakya’s teachings, which helped Chandragupta run an empire, will surely come in handy for us in managing a corporate office. Radhakrishnan Pillai has illustrated how an ancient text can help us become better human beings.

My Rating: 3/5 stars

P.S. This book was received as part of the Flipkart Bloggers’ Affiliate Programme

DISCLAIMER: All Images Used In This Post Have Their Respective Copyrights

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